A 30 Minute Task

Image of a purple flower

If I do my work in 30 minutes it's because I’ve spent 10 years perfecting my trade, in order to be able to complete a 30 minute task. Therefore, my fees are not solely based on my 30 minutes, but on my 10+ years of hard work mastering my skills.


I recently read the above statement on a social media platform, and it touched a chord with me. The comment is relevant to many professions including law and accountancy but its also supremely apt for photography.


It so touched a chord with me that I decided to write a list of the decisions I generally make before pressing my camera’s shutter button, and then I took it a step further by expanding on each decision.


So let’s start ……

Shot with Velvet 56

Choice of subject


Clearly, I’m something of an arty farty type - ‘cos I only photograph flowers with whom I have a connection! It’s like a blind date with a clear YES/NO reaction! I am now a recognised figure at Bézier’s flower market as I pace up and down the stalls looking for ‘the one’.


Are there any dodgy petals/imperfections to remove from my subject?


Ah yes, perfection is my aim: in my life and in my images - I don't get even close in life! Any distractions, be it an imperfect petal towards the edge of the flower or an unwanted leaf, must come off. And consider background distractions too - no fences, people, rubbish etc.


Consider the light's quality and direction


Do I want to use my black box (see photo) or do I go without/rambo/rando.



Shot with Velvet 56

How do I support my subject to ensure their stability?


I might keep the flower in the vase, or more often, I will support her in my bespoke clamp support.


Which lens best suits my desired outcome?


It’s not by chance that I’m a Lensbaby Ambassador: 95% of my images are taken with Lensbaby lenses/optics: each offering it’s unique style. I shoot my image KNOWING the desired outcome so choosing my lens/optic is a qualified decision.


Which aperture is best?


Am I looking for a crisp or supremely soft image? It’s not unusual for me to pass an hour (or more) capturing one flower alone during which time I use multiple apertures. Different F stops give a remarkably different outcome. Sometimes I find that both results are great. But I love, for I nstance, shooting with the Lensbaby Sol 45 - which has a fixed F3.5 aperture, and I confess that having one less decision to make is often a delight! Plus, with the SOL45, it’s hard to go wrong; it’s a great lens, and I have great fun experimenting with its bokeh blades while enjoying the results they give.



Shot with Velvet 56

Will I use a macro filter?


Due to the style of my work, most of my images are shot using a macro magnification filter. My choice of filter strength will be in function with the desired outcome and the focal length of the lens I am using.


Quality of light


Do I need to use my light compensation button to add or subtract light?


Should I use a reflector?


I often find, when working in the afternoon, or on dull days, particularly when working with the subject in my black box, I need to add a little light to the subject’s centre, else it gets lost in shade. This can also be treated in post-production, but I prefer to get it right in camera. Furthermore, the reflector can add interesting shadow contrast on the petals - especially on a subject with strong lines, such as a dahlia.



Shot With Velvet 56

Will a diffuser be necessary?


Conversely, when I have strong light, a diffuser is essential. I have even, on occasions, used a white linen shirt to diffuse the light, when nothing else was to hand. I absolutely do not want harsh light on my subject.


ISO selection


I mostly work on a stable support, a tripod, a platypod Pro or on the beautiful support created for me by a very attentive French guy!!! (Don’t let that distract you…!!) So - for me, my ISO is usually at 125, but when I shoot hand held, I often need to increase the ISO because I don’t want to have a slow shutter speed . Flowers aren’t going to stand still just for me!


And all of the above decisions are made before focusing and pressing the shutter button!

If the above is overwhelming, I offer video tuition sessions. Details on my website!

Shot with Sol 45

Alys Walker-Tinson

Bonjour! I am Alys, a British photographer who, for more than 20 years, has lived in Southern France.
I am known for my contemporary floral macro work and have been shortlisted three times for the internationally renowned CUPOTY competition, most recently in 2023. I unashamedly embrace colour when creating my unique art - which is impactful in both domestic and commercial interiors.
My images are printed on a range of materials including Hahnemuehle fine art etching paper which is particularly suited to my macro work. I also use Fuji HD paper mounted under acrylic glass, aluminium dibond and canvas. All images, many as limited editions, are available for sale with prices starting at 30 Euros. Feel free to use the CONTACT ME link on this page.
Photography is an absolute passion for me and I never leave home without a camera. 95% of my images are taken with one of my Lensbaby lenses, all of which consistently serve to inspire and motivate me. 

Learn More about Alys

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