Burnside 35

Burnside Comparison Images

To understand how much swirly bokeh and in-camera vignette you can get on full frame, crop sensor, and micro 4/3rds cameras, see the examples below. Click to see the image grid larger.

To get an idea of the difference between the effect and framing you can get with Burnside 35 and Twist 60, see the sample images below.

Stephanie DeFranco with Burnside 35 on full frame
Stephanie DeFranco with Twist 60 on full frame
Lauren Wilcox with Twist 60 on full frame
Lauren Wilcox with Burnside 35 on full frame

To get an idea of the amount of swirl and vignette you can get on crop sensor cameras with Burnside 35 see the sample images below.

Lauren Wilcox with Burnside 35 on full frame
Lauren Wilcox with Burnside 35 on crop sensor
Lauren Wilcox with Burnside 35 on micro 4/3rds
Kelly Elliot with Burnside 35 on crop sensor
Kelly Elliot with Burnside 35 on crop sensor
Kelly Elliot with Burnside 35 on crop sensor
Daniel von Appen Burnside 35 on micro 4/3rds
Daniel von Appen Burnside 35 on micro 4/3rds
Daniel von Appen Burnside 35 on micro 4/3rds

To understand the range of the in-camera vignette you can get with the gold effect slider see the examples below.

Joe Porter Photography Burnside 35 on full frame - darkest vignette setting
Joe Porter Photography Burnside 35 on full frame - brightest vignette setting
Nuno Caldeira Burnside 35 on full frame - darkest vignette setting
Nuno Caldeira Burnside 35 on full frame - brightest vignette setting

https://lensbaby.wistia.com/medias/54kv97n7nf?embedType=iframe&videoFoam=true&videoWidth=640

SeanAndersonMedia.com Burnside 35 in-camera vignette video variations on full frame

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